From simple consumer, the spectator is transformed into “actor, producer and programmer”. Internet is upturning customary practices. The cultural entrepreneur invents systems to develop close relationships between artists and their regional audiences.
Working practices are changing, giving rise to the emergence of more transversal collaborations, more civic-minded also, more socially responsible…No doubt.
Yet are these sustainable and viable? Could these be a new way of selling artistic works, of working together ? Can we talk of “new” economic models?
Are these supported by new administrative, contractual frameworks?

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POTLATCH moderated by Sam Khébizi, Director of the “Les Têtes de l’Art” association, Marseille

Synthesis of the debates:
Xavier Bonnot, Ainhoa - Aquitaine

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9 am – 9:30 am: welcome breakfast

9:30 am – 10:10 am: individual presentations by the operators of CADO incubator for cultural enterprises and activities and international guest operators

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10:10 am – 11:10 am: 1st round table
Katarina Slukan, producer and project coordinator of Bunker, Ljubljana – Slovenia
Clara Le Picard, artistic director of the Compagnie à table, Marseille Pierre Dodet, coordinator of the Court-cir’Q.I. association, Montvendre – Drôme
Caroline Bonheur, manager of Massilia Sound System, executive production of the Roker Promocion label, Marseille

11:10 am – 11:40 am: debate with the audience

11:40 am – 11:55 am: break

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11:55 am – 12:25 pm: 2nd round table
Sébastien Paule, administrator of the SMartfr Union for Social Economy and director of illusion & macadam, Montpellier
Joseph Richard-Cochet, manager of the economic and cultural centre – CADO incubator for cultural enterprises and activities – A.M.I., Marseille

12:25 pm – 1 pm: debate with the audience

1 pm – 2:30 pm: lunch

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2:30 pm – 6 pm: speed dating